There is a painting on the little house by the Stockholm artist Shora Dehnavi. She’s active within the graffiti facilitation and wanted her piece at Subtopia to bring love and life to a spot that’s otherwise forgotten and unusable.
At the bottom of the facade, you see her organic shapes that meander around and find their way into the valve and deviates from the rugged state of the house. Her work with repetitive patterns and recurrence is part of her creating process and identity as an artist.
Shora’s work mirrors life, the common everyday, and the insight of the universal cycle of time passing and of our only choice to accept it. An insight that gives her both assurance and discomfort. She compares her work with society – what happens with great motions but with small nuances.